The call for papers for the Lusophone Journal of Cultural Studies, on Surveillance with, Beyond and Against the Biometric Body, is open until 14 February 2025.
Thematic Editors: Ece Canlı (CECS, University of Minho, Portugal) and Pedro Vieira de Oliveira (Universität der Künste Berlin, Germany)
Surveillance, one of the most controversial ethical, socio-political, legal and technological issues of the 21st century, has not only become a widely debated topic in the new media over the last few decades, but has also fuelled the creation of new academic fields, such as surveillance studies (Ball, Haggerty & Lyon, 2012; Monahan & Wood, 2018), and creative genres such as the art of surveillance – also known as ‘artveillance’ (Brighenti, 2010; Monahan, 2017). On the one hand, surveillance technologies are often presented in mainstream government and business discourse from a technohumanist perspective, underlining their potential to optimise traffic flow, increase productivity in workplaces, improve public safety and security, as well as prevent crime. On the other hand, as critical academics, researchers and human rights and data activists have long demonstrated, the use of these devices and systems poses significant risks, not only for individuals, but also for communities. Especially for those who are particularly exposed to constant monitoring, control, categorisation and criminalisation based on their race, gender, class, sexuality, ability, migratory or legal status (Browne, 2016; Kafer & Grinberg, 2019; Keshavarz, 2024; Saltes, 2013). Among the concerns raised are the erosion of privacy, the potential misuse of personal data, the risk of misidentification, the reduction of human oversight and critical thinking in decision-making processes, as well as the restriction of freedom of expression under constant monitoring – which can intensify a culture of fear.
This debate has been significantly amplified by the rapid expansion of Artificial Intelligence and Big Data, which has given rise to a new ‘surveillant assemblage’ (Haggerty & Ericson, 2000), in which a decentralised network of surveillance technologies collectively monitors, analyses and acts on personal data. Bodies and their data have become the main currency of this omnipresent machine. This penetrating surveillance gaze is not only limited to private and public spaces, but also to the boundaries of the body, transforming it into a socio-technical composite. What’s more, the commodification of personal data in this new paradigm of ‘surveillance capitalism’ (Zuboff, 2019) shapes bodies, individual behaviour and social relations in such a dramatic way that it requires a constantly evolving reading, deconstruction and analysis.
This thematic special issue therefore seeks to critically explore the role of surveillance technologies and their material impacts on monitored, categorised and discriminated against individuals, as well as on their physical, social, cultural and political bodies. We welcome interdisciplinary contributions (research articles, interviews and book reviews) at the intersection of cultural studies with sociology, criminology, Science and Technology Studies, the arts, media studies, sound studies, legal studies, political science, literature and related fields. Topics of interest include, but are not limited to:
The guide for authors can be consulted here.
For more information, contact: rlec[at]ics.uminho.pt